Thursday, October 30, 2014

Os Cus De Judas by António Lobo Antunes

Children stretch out their matchstick thin arms, a rusty tin can in the palms of their hands, through the barbed wire surrounding the Camp, just for a morsel, a morsel of just about anything to eat.
People sit on their haunches around the camp, starving, waiting just waiting for a scrap of food.  
Women turn prostitutes for a morsel to feed their children.
Their eyes reflect patience, endless patience.
There is nothing, absolutely nothing. No medicines. No food for anyone.
This is what Antonio Lobo Antunes sees every day in Angola, he fights a war he just does not want to fight, he has left his pregnant wife back home in Portugal for a war which has absolutely no meaning for him or for that matter for anyone else.
Antonio Lobo Antunes is brutal. And why not? The colonial war for Independence turned civil war was ferocious. Seen through the tired eyes of the doctor António Lobo Antunes this bloody Colonial War is savage. What is there about this vicious War?
Every sordid detail is placed before you. Take the terrible, terrible loneliness sapping you of your will to live, add to it the lack of camaraderie between the soldiers, compounded by the utter hopelessness of the War. They just want to go home. What are they fighting for? What is all this bloody War about?
They all wonder, there seems to be absolutely no escape, shall we commit suicide, or shall we wait for a nice coffin. There are no answers.
Who are the Victorious? Doesn’t seem to be any, in fact all of them are losers. Everyone a victim. The people of Angola are in a vacuum, what the hell is going on? There the Colonisers, the Portuguese, and then some other Outside Forces urging them to get rid of the regime, purify your country evict the Colonisers. Where are they heading?
Such a colossal waste this war is, such terrible consequences, one moment the people of Angola are fighting a war of Independence, throwing the Colonisers out of their country and the next thing they know the war for Independence has turned into a Civil war.
How could it have happened?
That is the way Colonisers operate. They are the Masters. They take what they want, they use, they abuse, and when they can use no more they leave. It really is very simple.
Good news for Portugal overnight it had turned into a Democracy. They were free without shedding a drop of blood.
Why take care of countries which now are a burden?
What can they get from a war torn Nation? Abandon the Africans to their own fate. The Colonisers owe these illiterates nothing. Take care of yourselves; you are now Independent, you are now Free, Isn’t that what you wanted anyway?
Black brother fought Black brother, aided by powerful 'Democratic countries'. Black brothers killed Black brothers. Oh yes, terrible, terrible consequences.
But who for God’s sake cares for a bunch of illiterate, black people?
The white, democratic people know these Blacks do not amount to much anyway.

                Eventually when Lobo Antunes does return to Portugal, life is never the same for him, nobody in Portugal respects these soldiers who were embroiled in a meaningless war.
Slowly and steadily he loses everything.
His marriage just meanders and falls apart.
His beloved daughters, he sees them once a week.
He begins drinking; you see he hopes that 'it will never be morning again'.
He has encounters with strange women in bars.
He is just a sad beaten man. Once upon a time, a very long time ago he had been a Doctor but now he is a sad, beaten and humiliated man. A husk of a man, he is a person who has no substance, no personality, not even character, his dreams and hopes long gone, an empty shell of a human that once was.
Oh yes, war does that to you.

Brutal though the book is, there are those moments of utter sadness permeated by a luminosity, which lifts the book out of being just a book of utter brutality and makes it a beautiful story.


António Lobo Antunes was born in Lisbon, the eldest of six sons of João Alfredo de Figueiredo Lobo Antunes.
At the age of seven he decided to be a writer, but when he was 16, his father sent him to the medical school at the University of Lisbon. He graduated as a medical doctor specializing in psychiatry. All through this time he never stopped writing.
By the end of his education, Lobo Antunes had to serve in the Portuguese Army and participate in the Portuguese Colonial War, which lasted from 1961 to 1974.
Lobo Antunes returned from Africa in 1973. The Angolan war for independence was the subject of many of his novels.
In 1979, Lobo Antunes published his first novel, Memória de Elefante – The Memory of an Elephant, which narrated the story of his separation. The success of his first novel, prompted Lobo Antunes to devote his evenings to writing.
He practices psychiatry as well, at the outpatients' unit at the Hospital Miguel Bombarda of Lisbon.
His style is considered to be very dense, heavily influenced by William Faulkner and Louis-Ferdinand Céline.
His Awards are numerous


Source: http://pt.wikipedia.org/wiki/Ant%C3%B3nio_Lobo_Antunes

Friday, October 24, 2014

BOOM directed by Kumar Mystic

BOOM directed by Kumar Mystic
Director: Kumar Mystic                  Cast:  Sanjay and Gayathri
Written: Param                                                 Screenplay: Param

This chilling movie is the recipient of numerous Awards
The Special Jury Award, Best Film, Indian Cine Film Festival, Mumbai 2014
Winner Best Background Score, Indian Cine Film Festival, Mumbai 2014
Winner Best Film, Goa Short Film Festival, Panaji 2014
Winner Best Cinematography, Bangalore 2014

He is a strong man. He is in excellent health. He is ready for the expedition. He is a suicide bomber. His Trainer takes him on his motorbike to an unoccupied apartment. He needs to be prepared for the task at hand. He has been shown the locale where he will deploy the bomb. It is where a statue of a politician is to be unveiled. He is not supposed to move out of the apartment. His Trainer will bring him all that is necessary. He used to be a painter. His Trainer has given him paints and brushes to paint if he wants to. He is supposed to prepare himself for the day. Be calm. Be prepared for the task.
He is really calm; he sorts out his paint brushes and lays all his paints on a newspaper on a table. He sets up his easel. He opens the balcony door; some fresh air would do him good. As he turns around to get a better view of his surroundings, he stops short. On the balcony next to him a beautiful woman is watering her small balcony garden. She seems totally unaware of his presence. Very daintily she snips off a red rose. She puts it into a basket which is pulled up. He cannot see who the recipient of the red rose is.
He starts painting frenetically. He has to complete the painting within the next five days. He begins following her to the elevator. He is there when she gets in. He is there when she gets out. He is obsessed by her. He paints like a man possessed, he has to finish the painting before…
The day arrives. The painting is done. The painting is that of the Woman. The Trainer comes to take him to the venue. He gets ready, straps the Bomb onto his stomach. He cleans all vestiges of his stay in the apartment. The Trainer packs up everything and takes the package with him. When the Trainer is not looking he slips the painting down his back. He will give it to her if she is there for the unveiling. The trainer takes him to the venue. There are no goodbyes. He walks slowly to the venue. His mind is on the Woman. Will she be there? He hopes with all his heart that she will be there. His mind is on the Woman. He sees the Woman. He needs to give her the painting. He jumps over the barricade, rushing towards her…

The Woman presses the detonator. There is a huge explosion. Parts of bodies everywhere.  Amidst the body parts lies a painting.

A Motorbike stops. It is the Trainer. The Woman hops onto his bike. They both move on slowly and with no hurry.



Tuesday, October 21, 2014

Kanche aur Postcard directed by Ridham Janve

Miraj Entertainment Limited presents Kanche aur Postcard, a film by Ridham Janve
Produced by Madan Paliwal
Cinematography by Prahlad Gopakumar
Music by Samarth Janve
Art Direction by Saurabh Vyas
Production by Megh Joshi,  Mridul Joshi, Basim Abu

Language: Hindi
Starring: Pradhuman Singh Choudhary,
Co-starring: Mohd. Sahil, Yash Bhatnagar, Yug Bhatnagar
Sateesh Ashi, Usha Bhatnagar, Krishna Kate.

Kanche aur Postcard’ wins the best short film, the Rajasthan Award at the Jaipur International Film Festival.
Official Selection at 44th International Film Festival of India (IFFI)
Award winner at First Goa Short Film Festival, Panaji
Official Selection at 18th International Children’s Film Festival of India, Hyderabad.
The film was also selected for the Mumbai International Film Festival (MIFF) in the best short film award category.
Official Selection at Madurai Film Festival 2013.
The songs of Kanche Aur Postcard Movie have been composed by Samarth Janve with Music Label.

Kanche Aur Postcard

Every holiday Bipin comes to his Mamaji’s home. Mamaji lives with the elderly grandmother in a modest locality, a small three storey apartment. The first floor of the apartment is occupied by people of very modest means, but the top floors have people who are better educated, Mamaji himself is a lawyer.
The entrance to this apartment is through an open courtyard where every day a hectic game of marbles is played by a bunch of schoolboys, who Mamaji calls ruffians. The game is extremely entertaining as there is a running commentary which not only concentrates on the players themselves but also on every person who crosses the courtyard, even the cow tied at a corner is not spared. All hell breaks loose one day, the commentator goes wild when Mamaji crossing the courtyard steps directly into a cow dung pat.
Although Bipin longs with every fibre of his little heart to join in the hearty game of kanche, Mamaji just will not have it. No matter how much Bipin begs and pleads, asks his grandmother to intercede, Mamaji will not yield. Mamaji has decided that the ruffians are not ‘good’ enough company for Bipin. Mamaji feels Bipin should have ‘better’boys around him. What Bipin feels or wants is not Mamaji’s concern. So one Sunday he takes Bipin for a tennis lesson. Bipin hates it; he wants a game of Kanche.
As the holidays near their end, Bipin gets desperate, he just needs a bag of kanche, so when his grandmother sends him to buy postcards Bipin just cannot resist it, with the change he buys a handful of kanche and for a precious half hour Bipin owns a bit of heaven. Those colourful kanche, glass globules of every boy’s childhood, glass globules of happiness, of colour. Every little boy has fought for them, earned them, yearned for them, dreamt of them and slept clutching those little globules.

But stolen goods do not last for long……… even if it is a handful of glorious marbles.

Quoting the Director Ridham Janve ‘Through its innocence and simplicity, Kanche aur Postcard explores deeper themes of class, caste, control and acceptance. The film also reminds us of the often overlooked yet very essential differences of perception and understanding between children and adults’

https://www.youtube.com/watch?v=h24UqX0tW0U





Saturday, October 18, 2014

G for Gandhi directed by Renjith Murali

G for Gandhi
Directed by Renjith Murali                                           Screenplay: Renjith Murali
Camera : Charan C Raj and Sibi Saif                           Editing : Sandeep Ganesh
BGM : Aji Sarass                                                        Studio : Kalidasa Digital

      ‘Who is the Father of the Nation?’ screams the teacher
‘Rahul Gandhi?’ Asks the cheeky youngster, who imagines himself the smarty pants of the class. The kids look pleased; their bright colleague has scored once more.
       No, of course not, Teacher snorts at the thought of the pansy, Rahul Gandhi being the Father of the Nation, looks very irritated.
‘Sonia Gandhi?’ The same cheeky youngster who is growing bolder by the minute. So what? nothing lost.      Are you out of your mind? Teacher extremely irritated, wondering if she should clout cheeky youngster, remembers corporal punishment is a punishable offence.
And then a mousy girl with tight little plaits says mildly ‘Mohandas Karamchand Gandhi? The Father of the Nation?’
Teacher beams, all is not lost, ‘Yes, Yes, Sulekha, you are a clever girl.’
Sulekha sits down primly, all around her, students whispering, ‘teacher’s pet’
This could be a modern day scenario at any school, who knows who Mahatma Gandhi really was, what did he advocate, what were his principles.
Of course we all ‘see’ Gandhi , we all recognize the smiling, balding visage of the Father of the Nation’.  In fact we ‘see’ him every day when we buy anything, we exchange red currency notes, blue currency notes, green currency notes and on each and every note there is the smiling, bald visage of the Father of the Nation.
That is what Renjith Murali, the Director of G for Gandhi wants us to see, this extremely simple film shows how we ‘see’ Gandhi every single day. This beautiful short film, shows ‘hands’ exchanging currency notes, hands buying groceries, hands buying vegetables, hands at a chemist buying contraceptives, bride’s parents exchanging dowry, groom’s parents refusing the dowry, not enough,  bride’s parents adding a couple of lakhs, the groom and his family happy with the transaction. 
  And on every single note the smiling visage of Mohandas Karamchand Gandhi, The Father of the Nation.
What do we or our young people around us know of him, his values? We turn away from his values, his simplicity and see him much like Renjith Murali says ‘reduced to a face as seen on our currency notes’. Further quoting Renjith,  ‘The popular perception that Gandhi is confined only to currency notes in India is examined. While contemporary society unconsciously turns itself away from the Gandhiyan idealist it is hoped that the young India will turn towards Gandhi.’

G for Gandhi has won quite a number of Awards;
Winner of Gandhi Short Film Festival.
Special Cash Award from the Governor of Kerala.
Best Film Award for First Goa Short Film Festival.
Best Creative Concept Award for First Goa Short Film Festival.
Special jury award for Nizhalattam Short Film festival.
Participation in Chennai Women's International Festival
Participation in  Chavara short film festival.

See the short film for yourself: //www.youtube.com/user/wolverinerenju

Thursday, October 16, 2014

‘Alli Malarum Adhikaalai’ or ‘The Water Lily that blossoms early in the morning.’ Director Monish

The First Goa Short Film Festival was organised by Marathi Chitrapat Parivar from Pune and what an amazing array of movies there was, such a variety of topics touching virtually every subject of interest and relevance today, child rape, the ills and benefits of internet, loneliness, terrorism, education for girls, and many more. We were truly spoilt for choice.

‘Alli Malarum Adhikaalai’ or ‘The Water Lily that blossoms early in the morning.’
Director: Monish                                              Screenplay: Monish
Producer: Monish                                            Language: Tamil

This simple film turned out to be another prize winning entry.
Arun a young handsome newspaper delivery person goes about his rounds, carefree and happy with no thought beyond getting his newspapers delivered in perfect condition and on time. Things are just fine until one bright day just as he turns the corner he sees a beautiful college girl, wow he thinks and nudges his fellow worker, they both agree she is an Apsara sent from heaven to brighten his mornings. Arun follows her to the bus-stop. At this very same bus stop, an office goer, also struck by her beauty, vows to win her and marry her.
Suddenly there seems to be a stiff competition, although both the suitors are unaware of each other and sadly for the suitors the girl is absolutely unaware of both men.
Arun on his rounds accidentally bumps into the girl’s brother; this happy turn of events happens one morning when Arun delivering newspapers in the neighborhood sees his Apsara return home to pick up something she has forgotten, oh my God, this is the best piece of luck that could have happened to Arun. From then on Arun is there bright and early following the girl from a safe distance until he gets to her bus stop, a huge smile plastered on his face, and a devil-may-care attitude on his cycle. Life is really good. Meanwhile the suitor at the bus stop has his own plans. He will give the girl a gift and propose marriage. But fate can thwart the best laid plans...
The girl’s brother informs Arun, that he would no longer be requiring a newspaper as they are moving to Adyar a distant place.  Arun nearly falls off his bike; his heart turns cold no Apsara to brighten his mornings? But Arun is extremely resourceful, talks to his Boss, cajoles and pleads with him and after some time gets his paper route changed to Adyar, love and a pretty girl can move mountains. The suitor at the bus stop meanwhile, who has no insider knowledge that Arun has, armed with a bouquet as well as a gift waits for the ‘girl of his dreams’ to arrive at the bus stop, all set to propose but the girl has already moved on...Not being as resourceful as Arun, he is left at the bus stop....
Arun on the other hand, now at Adyar, follows his Apsara as usual, not making any move to talk to her at all, not infringing on her space or privacy. For as he says ‘I am but a newspaper delivery person’ and she a college girl, I am just happy to see her, everyday, my day goes better, I am a filled with a glow of happiness.
Such a lovely feeling you will agree....


Thursday, October 2, 2014

Shalya ..... Director Bipin Khedekar

The First Goa Short Film Festival was organised by Marathi Chitrapat Parivar from Pune and what an amazing array of movies there was, such a variety of topics touching virtually every subject of interest and relevance today, child rape, the ills and benefits of internet, loneliness, terrorism, education for girls, and many more. We were truly spoilt for choice.
Sadly I managed just one entry from Goa, ‘Shalya’ directed by Bipin Khedekar and missed the much acclaimed ‘Chedum’ directed by Sharon Mazarello.

Shalya
Director: Bipin Khedekar                                               Screenplay: Sarvesh Naik
Producer: Damodar Naik                                              Language: Malwani Konkani
Cast: Anil Raiker,
Rati Bhatikar,
Ramprasad Kelkar,
Saieesh Naik

What a strange and a haunting film Shalya is. In a beautiful verdant setting, a man stands atop a log, his head in a noose; the men around him wear pristine white dhotis. Without any warning the log is pulled away from under him and you give a shout of horror. The man falls to the ground dangling at the end of the rope, he has died and Shankar, the hangman has finished his work. One more day in the life of a hangman, he bathes in the river and makes his way home to his wife and son.
Although it is a just work for Shankar, and work is very difficult to come by in this hamlet, Shankar is beset with sorrow, with doubt, with fear for his soul. He pesters his wife with his dark thoughts. Do you know he tells her, I feel such sorrow, such pain when I do my job, do you think ‘they’ curse me? His wife full of sadness for her husband says, maybe, but you are doing your duty. I dream such terrible, terrible dreams. Shankar spends his days in agony, in despair, with no way out, times are hard. So ashamed is he of his work that he never tells his son about his duties but promises his wife, as soon as our son begins to earn, I will give up this terrible, terrible work. 
Four school boys return home from school and like all boys start flinging stones at some stone markers, aiming with more and more precision all the while chattering about their father’s jobs. Everyone has a father who works crushing stones, the hangman’s son says, my father works at crushing stones. At this all the boys look at him in utter surprise, your father a stone crusher? A pause and a boy says in a rush, your father hangs people for a living. The hangman’s son is livid with anger, he cannot believe it, his father a hangman, his kind father, his father who loves him dearly, who always brings him his favourite ladus, his father who urges him to do his homework, who laughs with him, his father a hangman. His confusion is complete, he is devastated. There is a fight. The boy returns home and angrily confronts his parents. Leaves home without even a second glance.
What a terribly sad life for Shankar and his wife. Shankar a broken man just drags his body through his day and his terrible job. Is it a punishment for all those lives he has robbed? No point in looking back, no point in agonising. It is over; he has paid the price for all those lives.

Eleven years later, a constable enters their humble hut and hugs his parents…..

This very unusual film is truly remarkable because it is a first attempt for the Antarang Club, winning an Award at the First Goa Short Film Festival came as no surprise to anyone. The young and extremely talented Director Bipin Khedekar’s immense energy drew the best from every actor even the veteran Anil Raiker. As for the young boys they were a bunch of chattering birds just raring to go. That Antarang Club will have many more movies is something that everyone knows and expects.

https://www.facebook.com/pages/Shalya/154793391296955

https://www.youtube.com/watch?v=88B5He88D-4