Miraj Entertainment Limited presents Kanche aur Postcard, a film by Ridham
Janve
Produced by Madan Paliwal
Cinematography by Prahlad Gopakumar
Music by Samarth Janve
Art Direction by Saurabh Vyas
Production by Megh Joshi, Mridul Joshi, Basim Abu
Language: Hindi
Starring: Pradhuman Singh Choudhary,
Co-starring: Mohd. Sahil, Yash Bhatnagar, Yug Bhatnagar
Sateesh Ashi, Usha Bhatnagar, Krishna Kate.
Produced by Madan Paliwal
Cinematography by Prahlad Gopakumar
Music by Samarth Janve
Art Direction by Saurabh Vyas
Production by Megh Joshi, Mridul Joshi, Basim Abu
Language: Hindi
Starring: Pradhuman Singh Choudhary,
Co-starring: Mohd. Sahil, Yash Bhatnagar, Yug Bhatnagar
Sateesh Ashi, Usha Bhatnagar, Krishna Kate.
Kanche aur
Postcard’ wins the best short film, the Rajasthan Award at the Jaipur
International Film Festival.
Official
Selection at 44th International Film
Festival of India (IFFI)
Award
winner at First Goa Short Film Festival, Panaji
Official Selection at 18th International Children’s Film Festival of India, Hyderabad.
The film was
also selected for the Mumbai International Film Festival (MIFF) in the best
short film award category.
Official Selection at Madurai Film Festival 2013.
The songs of Kanche Aur Postcard Movie have been composed by
Samarth Janve with Music Label.
Kanche Aur
Postcard
Every
holiday Bipin comes to his Mamaji’s home. Mamaji lives with the elderly
grandmother in a modest locality, a small three storey apartment. The first
floor of the apartment is occupied by people of very modest means, but the top
floors have people who are better educated, Mamaji himself is a lawyer.
The
entrance to this apartment is through an open courtyard where every day a hectic
game of marbles is played by a bunch of schoolboys, who Mamaji calls ruffians.
The game is extremely entertaining as there is a running commentary which not
only concentrates on the players themselves but also on every person who
crosses the courtyard, even the cow tied at a corner is not spared. All hell
breaks loose one day, the commentator goes wild when Mamaji crossing the
courtyard steps directly into a cow dung pat.
Although
Bipin longs with every fibre of his little heart to join in the hearty game of
kanche, Mamaji just will not have it. No matter how much Bipin begs and pleads,
asks his grandmother to intercede, Mamaji will not yield. Mamaji has decided
that the ruffians are not ‘good’ enough company for Bipin. Mamaji feels Bipin
should have ‘better’boys around him. What Bipin feels or wants is not Mamaji’s
concern. So one Sunday he takes Bipin for a tennis lesson. Bipin hates it; he
wants a game of Kanche.
As
the holidays near their end, Bipin gets desperate, he just needs a bag of
kanche, so when his grandmother sends him to buy postcards Bipin just cannot
resist it, with the change he buys a handful of kanche and for a precious half
hour Bipin owns a bit of heaven. Those colourful kanche, glass globules of
every boy’s childhood, glass globules of happiness, of colour. Every little boy
has fought for them, earned them, yearned for them, dreamt of them and slept
clutching those little globules.
But stolen goods do not last for long……… even if it is a handful
of glorious marbles.
Quoting the Director Ridham Janve
‘Through its innocence and simplicity, Kanche aur Postcard explores deeper
themes of class, caste, control and acceptance. The film also reminds us of the
often overlooked yet very essential differences of perception and understanding
between children and adults’
https://www.youtube.com/watch?v=h24UqX0tW0U
https://www.youtube.com/watch?v=h24UqX0tW0U
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